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Values & Beliefs

Laurie designed several schools during his professional life. He was always astounded by the uninteresting rectangular sheds that made up the government schools in Kerala. His ideas about schools and education were different as one can see in one of his notes:

 

`Education has repelled and fascinated me from the age of three. My much older sister had cooking classes at her grammar school, and every Tuesday, she brought home what she had cooked. I vividly recall the day she brought home what she said was a cake. My brothers and I got hold of it and used it as our football, (we used it for over a year). When I went to school, I was not at all impressed. No cooking classes at this age of 5, and never for boys! Our surroundings were drab and dreary, and had teachers to match! One very rude lady teacher wrote in my yearly report, 'Laurie is trying "VERY TRYING!" the only worthwhile education I enjoyed came from visits outside. E.g. We went to the gas works, huge clouds of smoke, everything black, great caverns of roaring, glowing red coal, and men only in dirty trousers, poking it to make it roar louder. It was of course all spoiled, for when we returned to those green and brown colored classrooms, we had to write a composition on `My visit to the Gas Works'.

 

Going to the School of Architecture was an incredible relief. In those days we spent half the time going out sketching and measuring, and taking part in actual building construction work. Furthermore; next to the school was the Town Hall, where there were mid-day music and organ recitals. All this was much nearer to my idea of education.

 

Now coming to the point of constructing and designing a school. Who is our client? The Government? A committee? A Head Teacher, or the Principal? The Teaching Staff? Or the Children?, What is our attitude to be? Do we ask for a written brief and venture into our office and try to fulfill it? Or do we turn into dictators and tell them they've jolly well got to accept our interpretation of what space a school needs? Or is there middle course? We get our brief; we ask them for their ideas, (yes! Including those of the children,). We ask them when necessary, the reasons for their wanting this, or not wanting that. Then we can offer our suggestions and experience and advice, but only implement our ideas after they have understood and accepted, and after we have understood and accepted their view of what educational space is.

 

Another set of queries arises concerning the site for a school. There may be no option. A site already has a school, or it is a site on which a school must be built, the Government says so, and it may be a difficult site. We have to think of and make it clear to the clients concerned, that there are a few really vital requirements both for the site, and the school to be on it. Water, where will it come from? Is it good water? Following water is the need for drainage. One school I was educated in had a playing field, but whenever we had more than a couple of showers, the playing field became a marsh, and before long it was underwater, and the water took days to drain away, or be evaporated. Then, there is sanitation, what sort can be provided? Where will it be provided? How will waste disposal be made? Is there sufficient water for it? Don't think you can just say 'Septic tanks'. We've seen hundreds of sites with solid rocks, a foot or two below the surface, and a foot or two is not enough for a septic tank! All this of course leads on to the fact that just classroom teaching space is only part of education space. What about out-door space and shaded outdoor space? What about inside-outside combinations?

 

Finally I want to ask, ourselves just what we mean by space? The dictionary says a continuous extension viewed with or without references to the existence of objects with it. The interval between points or objects viewed as having one, two or three dimensions. I think of space as the area and volume, which can be enclosed by many types of building or architecture, or it is a space or volume of openness whose limits are the sky, hills and trees, rivers, and (unfortunately) nearby architecture built to enclose other people's space requirements, but which effectively forms part of my space surrounds! I think we have to remember that the converse is our responsibility- that is our ideas of forming spaces for education may well be the boundary or limit of our neighbour's space requirements! Then I think we actually need to think of spaces in relation to functions, in relating to creating drama and effect. To me it is exciting to go into the small low entrance space, only to progress through into a high dramatic space! The childhood experience of going into a cathedral in course of construction, but already being used, the drama, the scale, the light streaming down in sharp shafts, through clouds of incense, onto the brilliant reds and gold's of religious uniforms. I can still get thrilled at the mere thought of that experience of space, when I was not yet five years old. I have even developed a private system of planning, not just floor area suitable for a particular function with walls round it, with doors and windows etc. on the walls, but rather I try to visualize the space, a specific space that I am going to create and enclose. I've never lost that childhood excitement at my first realization and appreciation and excitement of discovering the excitement and thrill of space.

 

Another word that can be applied to space is 'atmosphere' we don't mean air, the dictionary describes atmosphere, as "mental, moral, artistic, emotional, environment."! Now, I think this is what I want education space to be, mental, moral, artistic, emotional environment. Environment doesn't just mean tress and grass and ornamental water. It means that which surrounds us, and not just physical, tangible surroundings, but conditions such as war and famine, weather and so on. So I come back to the word 'atmosphere'- mental; moral, artistic and emotional environment. Next there is architectural planning. Concerning mental atmosphere, this must be done with both children and young people, and with those who are to educate them, in mind, all the time. I was oppressed by spending everyday five to six hours enclosed in a large square cube with dark brown and green walls and straight rows of wooden desks, and dingy old charts and blackboards hanging on the walls. I used to envy other children who got measles or whooping cough and had to stay at home for three or four weeks. I only had these childish diseases during the holidays. Even when we were let out to play and relax for ten minutes, it was into a large, barren asphalt square, bounded on two sides by rows of class room walls, on a third side by the lavatories and on the fourth side by a dirty 9ft. high brick wall. All the time I knew that behind this wall there was a sloping field bordered by a belt of trees and a stream at the bottom. I was once caught and punished for climbing up into the washbasins in the lavatory in order to look out through high plate glass ventilators to see the space outside. All this was the very antithesis of my experience of space that I experienced in that half furnished cathedral.

 

So all of these are very much at the back of my mind, when I'm planning a school. My reward is when I see children, really enjoying the spaces I've created, watching them enjoy the place and the spaces round the place. All that is the excitement of space, but there must be spaces that encourage thinking and study and learning. There must be organized space for particular functions and there must be inspiring spaces. You are quite right, not always are we allowed to experiment and express all this into our work, and even when we are asked to do these various spaces we don't always succeed, and things are a flop! Then there is the moral side of space; moral means the concern of establishing what is right and what is wrong. I think that the school I spent several years in, was wrong. It certainly was not right for me. I doubt if any other child enjoyed it. I'm sure now, it is wrong to confine a child to being enclosed in a dull dark cube. I think also everything to do with an educational space should be truthful and honest and transparent. You instill wrong ideas in a child (or any one) if there is a fine architectural façade and mere boxes for spending the day in behind it.

 

And these days, we see architectural lies and deceit. A concrete frame structure, with brick in-fillings, and then an applied skin of stone or marble or glazed tiles and so on. So our space buildings must be truthful. Some aspects of morals are inborn, or come from within us, but many aspects have to be taught or learned. I don't think I have to elaborate on the emotional side of our subject of atmosphere, space, feelings, and mental state, leading to excitement. We can't and don't want to cut emotions out of living, nor should we cut it out of learning. Such emotions can come from our architecture, our allowing light to dance in, or darkness to be a prelude to space and light. The emotions of discovery of mathematics, science, drama, and music, the personality of our teachers, and they, the teachers, in turn are also mentally and morally and emotionally controlled by space and atmosphere.

 

I've also used the word 'artistic environment'. I couldn't think of the right word. I don't mean pretty pretty decorations and prints of Van Gogh's paintings on the walls, but the space containers of walls, roofs, floors, windows and materials that make these containers, all have to be good and well designed. Just as one example, the art teacher in my early school days was keen on patterns and designs and we were always drawing, painting and modeling different forms and patterns, and unconsciously understanding the wonder of form, (shapes again). Now as an architect I often go into a building, partly built, the bare brick work visible and immediately any variation of pattern of say, a Flemish bond brick wall hits me in the eye, and I am grateful to that art teacher of over 70 years ago. I'm not going to analyze or expand on my ideas of what education is, or should be. It certainly does not stop at learning tables and grammar and formulae etc. throughout the whole of our lives, we are, if we want, continuously being educated. That also expresses my feelings about the necessity of affordable space for education for all. ALL means ALL.'

Sir,

Reading the Express this morning (State Planning Board building row: Fear is the key: Indian Express, March 16) I was amused to read of the fears that the employees have about Laurie Baker and his collapsible buildings. I am writing this mainly to assure them that in the 84th year of my life I am definitely NOT, repeat Not, looking for a job. My part in the current 'discussion' about the Planning Board buildings is purely as an appointed Adviser to the Government. Adviser, or just plain Laurie Baker, I deplore waste and intend to go on fighting it as long as I can.

Your correspondent mentioned the issue of lifts for the proposed building. So I would like to use this as one of the examples in this proposed building, of wasteful foolishness. The estimates showed that a million rupees are proposed to be spent on installing two lifts and housing them. These two lifts are to take a few people up to a height of thirty feet!

The reason I think this is wasteful is that we could build at least a thousand EWS houses for this same sum of money, so, at the risk of being told that I am a big bore, I am reminding the Planning Board employees that one small aspect of their planning is the task of housing over thirty million homeless families in India. Even the poor with homes are probably without lifts too!

Perhaps they'd like to hear of another example of their planned foolishness. In the proposed plan each Head of a Section is to get his own personal private `bath-room' attached to his office. If I remember rightly there are about fifteen such chiefs. The other 200 employees have about the same number (fifteen) of `facilities'. I find it difficult to believe that these days there are people who seriously suggest that an officer can or should only attend to the calls of nature in his own private 'bath-room'. While everyone else has to queue up to use a common pot-sorry, pan. No wonder that the Indian Airlines is mildly unpopular these days. If it thinks that 2 or 3 hundred passengers, including VVIPS have to use the same 2 or 3 'bathrooms' in its 65-crore rupee planes.

Yet another of these wasteful bits of planning is that there is to be yet another conference room and another library, besides those already found in the Planning Board's existing buildings. On the one hand it was claimed that the existing building is a fine old piece of architecture not to be hidden behind a new 'modern' structure and on the other hand it was said that the building is already fifty years old and so can be replaced by another new structure in a year or two.

Your correspondent also reported that one of the reasons for putting the new building on a site separated from the existing buildings by a right-of-way road to private houses, was to prevent the new building from blocking out the breeze to the old building. He does not mention that the main reason given for building on an isolated site was that if "We" do not use this little bit of land on the other side of the road, some other department would go and snaffle it up!

You can take it for granted that when my opinion is asked for in Government matters (and I do not give it without being asked) I shall continue to decry this sort of waste and foolishness – and the employees concerned should not forget that it is the department itself which has now admitted that they can cut down the cost from Rs. 65 lakh to Rs. 40 lakh if need be. I plead guilty of saying that I think there IS 'need be', and being a friend of Dr. Gulati does not alter my opinion one bit.

"Lutyens Bungalows to be replaced by Duplex Complexes to house, out of work ministers and their security guards."

 

I am very disturbed to read the above Headline in the papers to-day 20th Jan 1997, that a number of Lutyens bungalows of pre-independence days in the prestigious Lodhi Estate, are to be demolished to make way for housing former ministers, keeping in view their security needs.

I am disturbed and distressed for a number of reasons concerning the contents of this brief bit of news.

First, Lutynes was one of the world's greatest town planners and architects of this century. It is true that his architecture was mainly in the classical style, but it was, and still is first class architecture. Furthermore he skillfully adapted the style to Indian conditions and Indian building traditions in many ways. It is also true that much of what he did in the New Delhi- to- be was distinctly 'Colonial' but after his work was completed our struggle for independence came to its climax.

As a young architect, and as one who struggled to help in the struggle for independence, I shared in the criticism that this new spate of grand architectural town planning style was extravagant and lavish, and out of place, when thinking of, and working with, a population of which 80% was rural and often in distressing poverty.

 

However, the spacious wide tree-lined roads (a design factor we ignore in urban areas these days) and stately houses for government officials, surrounded by lawns, flower beds and flowering shrubs and trees, together with well kept open ceremonial and recreational spaces, all boded well for the visual future of our capital city. And now half a century later, Lutyens' grand buildings, planning and designing are of such a tremendous value in giving the capital a green and beautiful look for all to live in and work in or visit.

 

They act as lungs to the very polluted atmosphere of Delhi and must not be got rid of under any circumstances. Furthermore, from the beginning of Lutyens' conceptual planning (as we architects call it when we are putting on paper our thoughts and dreams) he had a great and deep respect for Old Delhi, and its many historical architectural treasures and never would he have dreamed of removing or destroying or covering over, even ruins of our great ancient Indian architectural heritage.

Even now, if I am staying in a Kerala house, and have to go to the various government Bhavans' in Delhi, for meetings and conferences. I invariably walk, in order to enjoy these wide tree-shaded avenues with glimpses through wide gate ways, across lawns and flowers, to fine, dignified, beautiful Lutyens' Bungalows. And now, it would seem that it is intended to demolish some of these fine buildings, and put in their place as many duplex complexes as the planners can squeeze on to the evacuated Bounds. To me it seems absolutely wanton, and I would even say 'criminal stupidity' and 'wickedness', even to think of such vandalism.

 

Another aspect to be seriously considered, preferably before the dastardly act, rather than after it, is that the current cost of building construction is so high, that to destroy, good strong solid buildings in order to replace them with modern horrors at comparative astronomical cost is sensible or not. If, as it is claimed, though I dispute the allegation, no new government bungalows have been built since Independence, it is stated that we need a lot of them to house these political Down-and-Outs, instead of cluttering up this prestigious Lodhi Estate with "the Beat unemployed" in duplex complexes why not recycle our slums? I have plans to show how this can be or should be done, and we could allot part of these recycled areas to these destitute ex-ministers and their protectors?

 

It also seems that now a days we consider it more important, (or shall we say, the best way) to house these unemployed ones by destroying good, beautiful, solid buildings and getting rid of trees and open spaces first.

 

I might add that during my career here in India, I have from time to time made good use of such fine old buildings for a variety of purposes, libraries, schools, colleges, health centers and psychiatric hospitals and so on! Many of these 'bungalows' have vast high ceiling rooms and I have even built within one such drawing room a whole two-storied modern flat! Couldn't these poor, ministers be content with something like that?

 

I do therefore humbly beg of all who are concerned with this scheme of destruction, the Minister for Urban Development, Finance Ministry, the CPWD chief architect, the P.M.O and last and by no means last, our beloved and admired Lok Sabha Speaker, to reconsider the whole project and find a more acceptable way of housing our ex-ministers.

The condition of our prisons and prisoners, the buildings and the facilities provided for them always troubled Baker and he used to talk about it. The following is what I found, scribbled on some old envelopes:

An ordinary lay person, such as I am, assumes that there are various types of prisoners 'behind bars'. We also assume that such places are not for us. I sometimes find myself wondering, what prison life is like? How would I put up with it? And as an architect how would I design and plan a prison? Besides the hardened criminal, who needs intense security, there are those suffering from one or other of various mental abnormalities, which also need special accommodation. There must be a big population of these and it is also popular conception, that you go to prison as a punishment, to be taught a lesson, or partly as a place where you will be reformed or taught, how to be a law-abiding citizen. This exercise in planning has this latter major group of prisoners in mind; the other two groups presumably need specialized planning.

The main line of thinking on my part therefore is to feel, that if these people are where they are, because they have been deprived of love and care etc. their condition and attitude is unlikely to improve by putting them in surroundings which are stark, bare, austere, loveless, isolated etc.

I've tried to imagine what things I'd find difficult to accept if I were behind bars. The bars themselves are unfriendly, ugly and irritating. I see no reason why patterned grills couldn't be just as strong and safe, and easier on the eyes. In fact, every daily artifact can be either poorly designed both from a functional and aesthetic point of view, or it can be well designed, beautiful and still be even more functional.

Then I think various expressions of art and craft have a good influence on people in general. Wouldn't good reproductions of good paintings, for instance, have a great improving effect on disturbed senses? Similarly, items of sculpture could also be visible, big stone abstracts and other items could help fill empty minds. Another big deprivation for me would be a almost total absence of nature, grass, trees, birds, animals, flowers, not to mention the relaxation of growing flowers and vegetables or of feeding fish, birds, etc.

And, what about pets? So many people are moved and strengthened by the faithfulness of a dog or a cat! Not to have any of these would have an adverse effect on me, I feel sure. Then, being cut off from the concern and sympathy of family and friends can't be a good thing? If available (or appealed for) wouldn't it be good to have one's own photographs, (previous happy times with one's family or say of good times at school with games and sports?) I presume, that prisons have libraries, but if they haven't, I would find not being able to read, a very big gap in my life.

I do fully realize that all this sort of thinking will make a lot of eyebrows raise. Oh! So you want to give criminals five star treatment, do you? Such pampering will be a further incentive to crime. What about giving them Star T.V. and films, or you could ask Zubin Mehta to give a concert every evening!

O.K, O.K., but as in most of the various aspects of life, there is a middle way. I just feel that we are not going to get very far with reforming people, if we use hard, stark, ugly surroundings and amenities, but that good, well designed natural things would help victims see that there are so many things in life that you can't get by stealing, or by having pots of cash, or that are not acquired or influenced by violence of any sort.

There, but for fortune, go you or I.

What is all this nonsense about prayers? Prayers are a communication of faith between a person and his creator, God. It often looks as though we believe that such a communication is possible only in a particular place or time, or in a specified special language, or only possible if properly dressed! All this would suggest that if a person was unclothed in ,bath room at 3.25 in the morning, his sudden desire to praise his Maker, or ask His guidance or enlightenment, he would get a taped reply, as on the telephone- "This number does not exist, this number does not exist."